Dan! Thanks for the response! I saw that in the menu, and while browsing posts. Admittedly, I just didn’t get it and immediately moved along every time I looked at it. As with most things for me, there is a moment of “click”, then things make sense. Now it makes sense, and I’m going to mention this on my other post as well incase it helps anyone understand that it’s an architecture thing.
You have 3 synth slots and 16 midi channels.
You, the operator, know what synth your bass is (be it a midi controlled external, or an internal synth engine), and you know what your lead is; just as the Play knows the structure of sample folders (provided they are labeled correctly).
when filling on a sample channel it pulls from the respective folders as you would expect.
you set in the fill settings what synth slot or midi channel your bass is, or (what threw me off was the) synth, which accounts for cords. and if you use perc then you set that slot for all of the kick, hat, etc. then you set the respective note for perc for the kick, etc.
so, for a set it and forget it example and my new workflow test is;
synth slot 1 = PERC
synth slot 2 = WTFM (lead)
synth slot 3 = ACD (bass)
Fill Settings:
Kick Channel = Synth 1
Kick Note = C4
Snare Channel = Synth 1
Snare Note = D4
HiHat Channe =l Synth 1
HiHat Note = E4
Synth Channel = Synth 2
Bass Channel = Synth 3
And just as a reference for PERC:
Kick Note C4
Tom C0-B3, >=C5
Snare D4
Hat E4-G4
Cymbal A4
Percussion B4
Anyone technical that sees this; any idea if the “templates” can be set up to utilize the additional PERC notes for a fill? I genuinely don’t know anything about the “templates”, how to access them, or how to utilize them. I’ll look after I post this and report back if I find anything.